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Like the bandes dessine of Quebec, the bandes dessine of Quebec’s neighbours the Maritimes was produced in the nineteenth century and continues today. The major exception to the province’s monopoly on comic strips is Quebec City’s daily newspaper Le Matin, founded in 1879 and devoted mainly to local news and current affairs. Le Matin also provides readers with a daily cartoon called Les Excepres and a Sunday cartoon called Souvenirs d’un Page. The first Sunday cartoon was published in October 1891, and was illustrated by Henri Jeanningros, who continued his weekly contributions to Le Matin until his death in 1904. Henri Jeanningros is the artist of choice for the Maritimes, but the history of Quebec’s comic strips is as much about the artists who are the province’s most prominent cartoonists.
The continued use of the bande dessine in Quebec and the Maritimes is a manifestation of the popularization, at the turn of the century, of the art form. In Quebec, the bande dessine begins to take on a more professional character, with the creation of the Quebec Herald in 1898 and the monthly Le Journal de Montréal in 1901. The first weekly comic strip in Quebec is Jo-Jo, published from 1907 to 1909 in Le Journal, and, from 1919 to 1921, in Le Journal de Montréal; it has been reprinted in the Montreal Star daily newspaper. In the Maritimes, although the repertoire is wider, there is an increase in the number of notable cartoonists, including Herbert Sawyer, J. Stuart MacQuarrie, and William Simpson. The most well known of the latter is Harvey, published in the weekly Montreal Star from 1919 to 1921, and the author of the beloved and much-reprinted comic strip The Sea King. Both of these strips were created by William Simpson, who, from 1922 to 1931, runs the Montreal Standard with the same model as he uses for the 827ec27edc